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Painting No 1

(40cm x 30cm Oil) May 2016


With so many tutorial videos available for the budding artist on YouTube, beginning to paint is no longer a daunting prospect.

My old maxim of ‘Just Do It’ gave me the freedom to pick up a brush, dip it in some paint and spread it onto a canvas.  If I was terrible, I would soon find out.  As luck would have it it was not so terrible as to throw it all in the bin and find something else to occupy my time.

The clouds came first, taking tips from numerous ‘teachers’ on the net. Then I wondered if I could paint the sea. Then the beach, then the bamboo stalks, then the flowers, then the… I soon became hooked on my new hobby. What was next, where would be the limit of any skills I had?  It was going to be good finding out.


Beach Path

Painting No 2

(40cm x 30cm Oil) June 2016


I live in a little town called ‘Algorfa’ on Spain’s Costa Blanca and the three most notable features of the town are The Ermita Monastery, The Calossa Mountain and the endless rows of orange groves.

Everyone in the town knows what these things look like, so the challenge was to produce something that everyone here can instantly recognise.

With the horizon set, I wanted the church against the mountain to be the star.

The Ermita is not so bright in real life but I wanted to shine a spotlight on it, being centre-stage and all.

The orange groves don’t actually run in this direction but I wanted them to point and almost support the star. After all it was the wealth the oranges provided that actually built it.

Painting No 3

(40cm x 30cm Oil) July 2016


My favourite holiday spot of recent years has been the island of Rhodes.  

Half-way down the east coast you find the white-washed village of Lindos. High above the village is the Acropolis (an early tax office, if you like) and to get to it you have to meander through the narrow walkways of this tricky little maze od a town to get there.  On the way you find places like this.

The painting soon became more challenging than I had anticipated, with stone archways, the angle of the steps, the plant-pots, the bougainvillea, the lamp, the cobbles…

When I thought I’d finally finished I was a little disappointed that, with all that going on, it looked a little lifeless.  The doors on the left had been closed, so I opened one slightly and let the cat out!  

Thank you Tiddles!

Painting No 4

(40cm x 30cm Oil) July 2016


Years ago, when I was ten, outside the Headmasters office at my Primary School was a painting I only knew as ‘The Avenue’.  I don’t know why it registered with me or why, now, it bounced into my head again.

I ‘Googled’ ‘The Avenue’ and found it!  It’s full name was


‘The Avenue at Middelharnis’

by Meindert Hobbema.


Without caution I fixed a new canvas to the easel and began to attempt to come anywhere near this masterpiece.  


The perspective was crucial as it was what drew me to the painting all those years ago.

I’m happy with the result and now have my own version of this classic hanging on my wall.





Lindos, Rhodes

The Avenue at Middelharnis

Ermita and the Callosa

The Avenue at Middelharnis

Painting No 5

(30cm x 60cm Oil) July 2016


When I saw this yacht in a magazine it was sitting quite peacefully in a marina somewhere. That was no place for this ocean-going piece of super-technology.  I had been looking around for something to paint and was going to try a stormy sea-scape.  The yacht added high drama and excitement to the planned painting.


I wanted to be able to look at the finished painting and be really concerned for the skipper and crew.  So I tilted the yacht, placed it on top of a ‘washing machine’ of waves and just for good measure threw in a threatening lighting bolt.  That’s enough for them to contend with!



An accidental smudge of black paint that I happened to leave on the boat’s deck was turned into, what looks like, a searchlight!  I coated the open end of a pen cap with white paint and placed it onto the canvas to create a perfectly round steering wheel.

Stormy, Stormy Night.

A’s Rainy Night.

Painting No 6

(40cm x 30cm Oil) August 2016


I know I’m copying other people but it gives me a chance to experiment with styles.  It might even lead to developing my own style.


That would be good.

 

On the left is my crude attempt at


Leonid Afremov’s

‘Rainy Night’


which he painted using only palette knives.  (I’m not that adventurous or confident).  His painting is a blaze of colour with the streetlights throwing their glow into the trees above and their reflections echoed onto the street below.

 

Not really my thing but it allowed me to try something different.  It was fun to see if it was something I could do.


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Artwork

The following pages show my paintings from May 2016.  It was a pleasant surprise to me that I have produced items that I describe as ‘not bad’.  I have a selfish opinion about each one; some I like more than others; more from the technical point of view than the subject, as each one is, in itself, a painting lesson.

I started modestly with cheap materials from various ‘pound shops’ and the like, after all I wasn’t going to spend too much on a hobby that could crash and burn on day one.  Luckily for me, it didn’t.

It was enjoyable to see the painting build up as the hours went by.  The ‘blocking’ of the main colour areas, the detail going in bit by bit, the corrections, the tidying-up and then the final clean-up.

My old ‘studio’ in my previous property was cramped onto a desk.  My new ‘studio’ is a dedicated space in my new house and allows me to leave my work and equipment in place. (See pictures left)

Things I’ve learned since I started:-

People see things in your paintings even you didn’t spot whilst painting them!

Different people like different paintings.  They even re-name them. ‘The Blue Lady’, ‘The Boat’, ‘the Ambulance Boy’ or even ‘Nelson’(?).  It’s all good. As long as they look at them.  

If I’m stuck with a painting, I walk away and come back when I’m ready.  Refreshed eyes sometimes wake up ideas, a rest break energises.

Nothing is ‘unfixable’.  So far I haven’t thrown a painting away.  Sometimes I haven’t painted what was there, just what I thought was there. Sometimes I’ve over-painted and it needs to be brought back.  Sometimes a detail is slightly wrong and I play a game of spot the difference between what I’m trying to paint and what I’ve painted.  It usually works.

At times the paint seems to throw itself onto the canvas, when that happens there’s no stopping me.

I enjoy painting.    

My old ‘desktop’ studio

My new studio